Wednesday, August 31, 2011

Movie Review : Colombiana (2011)

Posted by Muarif 8:08 PM, under ,, | No comments

When a director of dubs is Megaton, whatever esoteric allusion, and even if it is French, you do not expect subtlety. And subtlety is definitely not what you get with "Colombiana", the gateway slender hyperactive action-thriller/fashion-week with Zoe Saldana as the latest trend in deadly weapons. Saldana is the new Schwarzenegger, only lighter, more dynamic and much better in spandex? I think so.

The B-movie blam blam bloody explosion is the latest reading a book by Luc Besson lovelies bruises that are best not crossed. What began in 1990, "La Femme Nikita," followed by "Leon" in '94, and '97 's "Fifth Element" (the last written by Robert Mark Kamen, who co-wrote "Columbian" with the B-man), he refined in the "Columbian".

Meanwhile, a former graffiti artist Olivier Megaton, which in recent years has been the umbrella Besson directs a train moving very fast in 2008 for "Transporter 3", seems to hit his hand in this last trip to the magazine to spread the 'murder. Saldana is the body that helps the model to focus on and pride, all combining to make a slick, hard work of beauty.

Monday, August 29, 2011

Rango 2011 review - trailer

Posted by Muarif 8:57 AM, under ,, | No comments

In a world choked by animated films - the good, the bad and the ugly - it's hard to be original or great. However, director Gore Verbinski has done so much - and no 3-D - breaking the rules and new horizons in the city of dirt. This bending moment, amazing, Just-Go-with-the fable, the story moves on roads crowded, Hawaiian shirts and the problems of modern cars, leggings and long-term problems of water rights, the land-grabbing and greed. And in a funny actually, everything makes sense.

Had the first signs of the mind that wants to use off the "Mousehunt", the first grid along Verbinski directed. Since the film is a failure, but its string factory, Manse decaying mouse and wrong were oddly fascinating anyway. Things finally materialized in a concepts intelligent, he again guides the seeds up to three first installment of "Pirates of the Caribbean", and he could not do better than Jack Sparrow get to go to a fully animated. Johnny Depp as Rango voice, ready to be enchanted first moments of a terrarium, with Lars, he spends his time reading files Barbie broken and dreaming of a great time.

Crack Screenplay: John Logan ("Gladiator," "Last Samurai"), with "Pirates" creative that connects with Verbinski, a conceptual artist James Ward Byrkit and visual effects wizard Mark "" Crash McCreery. They gave Lars journey of self discovery, self starting the wreck of the road, crossing the Mohave. He drops a pet cuddled a nightmare in the desert, but the freedom to respond to the destiny calls it a town called Dirt, something that looks a lot like "High Plains Drifter", complete with a saloon.

Sunday, August 28, 2011

Drive (2011) review - trailer

Posted by Muarif 7:06 PM, under ,, | No comments

Occasionally a film comes out that makes you sit there and wonder, "What I just saw?" Most of the time this problem is unlikely to respond to a supervisor. In the drive, it seems to be exactly what Nicolas Winding Refn want you to ask. 

The first scene shows the driver (Ryan Gosling), giving their only rule of Wheelman, while passengers back to the car in five minutes, he will do anything to escape. Had it not time, however, he left. He then proceeds to put this statement into action as two thieves escape with police. We see a combination of a high-speed chase and a stealth action thriller as police search for the car while the driver narrowly escapes them at every turn. One of the most tense scenes in a movie to date and effectively sets the tone for the rest of the film. Over the next 95 minutes, it will be uncomfortable and on the edge of your seat - but make sure you sit through it and never turn your head.

After returning, we met near the driver, Irene (Carey Mulligan). Her husband is in prison, and she takes care of their son alone. The relationship is between the driver and Irene is sweet, almost innocent, but intensely uncomfortable to watch. You know it's wrong, but want to root for the couple anyway.

Saturday, August 27, 2011

Bridesmaids (2011) review - trailer

Posted by Muarif 8:33 PM, under | No comments

If this is just a chick flick, then call me a chicken. Witty, sharp and influence, "Bridesmaids" across borders by blithely ignore them. At one point, it's a farce that examines broad gauge in terms of sex of a woman. (The results are mixed at best.) On another it is a sophisticated comedy of manners and class that two bridesmaids at each other for control of marriage, except the fate of the bride . Through it all, free form interviews, the brilliant set pieces, the gross-out absurd, the flawless performance, Kristen Wiig has left the maid of honor, Annie, seeking its own destiny with a passion wrenchingly squint.

For a woman is a major film award. The script was written by Ms. Wiig and Annie Mumolo-two women are wise in the ways of improvement project and television and performed with extraordinary delicacy by Paul Feig, who created the television series "Freaks and Geeks". As a man, but I would say his biggest difference is its inclusiveness, and I'm not using this term, sticking to your PC. The filmmakers and their producers, Judd Apatow, the comedy show to include all sorts of quirks and qualities that make us human, effusions, numbness, tenderness, eloquent with rage, cold cuts, idiocy, . Their characters can not stop talking. A bad thing? No, a great thing, because this thing is so intelligent. They staged the best road sobriety tests, "the man with two brains," turned romantic items at the best advantage as a "waitress". And the right of the film could not Mr. Odder or right.

Priest (2011) review - trailer

Posted by Muarif 8:07 PM, under ,, | 1 comment

Priest seems to have designs on a couple of spectators who thought irreconcilable young devotees of the vampire genre overserved and older demographic that loves his Christian religious mythology with a healthy side moralized of violence. Each has its greatest hits, and never the twain shall meet with blood. Until now.

Except that, historically, the vampire genre has its roots in the Christian faith. Humans respond to their hobbies of the undead with crosses and holy water, superstitions and lasting (for newspapers) the promise of sunshine. The stakes are ritually driven by the heart. Vampires are not evil because they threaten our lives, but because of its threat to extend indefinitely the Earth - a clear challenge to the law of God and an abomination to those who must die. Based on the hit Korean Hyung-Woo Min manwho and directed by Scott Stewart, the priest offers a world in centuries of war between humans and vampires - a holy war is no different from the Crusades - is over for hosts of kick-ass men (and very radical, at least one woman) of the fabric. As if he could have ended differently.

But what follows - and starts Priest - the kind refracted into something a little more advanced for a time that is much more cynical. These priests heroic fight back with problems, social exclusion and without the use of virtually. Are subjected to menial jobs and years of nightmares. The crosses tattooed on the forehead only aggravate their pariah status. Broodiest of them, known simply as, well, a priest (Paul Bettany), stalks through the limits of the city's cathedral - the wall, a dystopian church and state under the influence of Bishop Orel (a limestone Christopher Plummer) and subjected to prayer wheels and the confession booths equipped with video voice-ID software. His brother (Stephen Moyer), Owen, meanwhile, lives in the desert beyond the city, a barbecue, where the border post-apocalyptic in the opposite direction of life and hope are scarce, but at least the leeches confined to reserves.

A Good Old Fashioned Orgy (2011) review - trailer

Posted by Muarif 7:45 PM, under | No comments

One of the guys in this fast-paced, sexy film that his generation, those in their 30s, compared to what came before and after, more pale."The lamest" If this group who likes to have fun, spend my crutches I want in. While some life-is-party-people across the country, hope they serve beer in hell, the whole band to Alex Gregory and Peter Huyck is "A Good Old Fashioned Orgy" are probably thinking about things cool vodka and tonic when the flames get too close.

Although at peak times, so to speak, like Judd Apatow are the light, the language is happily unkempt As you can imagine, when a group of 30 forty, almost everyone, but everyone thought that their feelings for each other are Platonic plan a wild party Hamptons. Fortunately, Eric (Jason Sudekis), handsome boy is a gang, and the organizer of the party in fact, his father (Don Johnson), owns a sprawling house, which rarely live. The bad news is, however, that the father wants to sell, which would mean that the big Labor Day party-cum (again, so to speak) is the final orgy. Still, Eric is smart enough to find ways to sabotage the sale.

Friends who believe that it is fun to serve the bean dip out of the brown water is my kind of people. If you accept, will be a fan, like me, a huge explosion is smooth and that everyone gets what they want, whether it is a girl who secretly keep a flashlight by Eric, timid, who dreams of doing with a guy and loyal mental health workers must stop intellectualizing the party people who cover their inability to make deep emotional commitment.

Friday, August 26, 2011

The Inbetweeners (2011) review

Posted by Muarif 9:42 AM, under | No comments

 Five years ago, British TV channel for teenagers, E4, launched two new shows. "Skins" was designed to shock the bourgeoisie with their tales of teenage promiscuity and drug use. The cast was full of pretty things to play Bristol wealthy privileged teenagers. However, "The Inbetweeners" was about normal children living in the suburbs boring housing in rural England. Children with parents who stifle, rather than ignore them - children who are struggling to get laid competing gas money, and go on two pints of beer. Children who have cars shit, and girlfriends downloading, and spend their time masturbating and farting.

"The Inbetweeners" was as much about modern life as "Skins" - with all the usual references to video games, text messaging and the interpretation of the use of "smiley face". But so far, "The Inbetweeners" was basically an old man who comes of age comedy, with four players worry endearing things all concerned about this age, no matter what decade we have grown in the premise of the base has a wide appeal was broad demographic "Skins". He showed us that we were really more than I would have liked to have been. And the icing on the cake was crisp, funny dialogue writers Damon Beesley bite and Iain Morris (the man behind "Peep Show"). Not to mention the courageous attitude of the young actors to humble themselves in public. To give some examples ....

Wednesday, August 24, 2011

The Beaver (2011) review

Posted by Muarif 11:51 AM, under | No comments

Bizarre and belabored, but grimly fascinating, "The Beaver" opens in Mel Gibson's painful when you are looking for times, which sounds a bit 'like Michael Caine says: "This is a picture of Walter Black, a hopelessly depressed individual". It does not seem promising, but the film, which was directed by Jodie Foster, has more than it promises, ie performance that draws its exceptional know-how and irresistibly what it takes to be a real movie star whose life anxiety private has become a ruin.

The narrator, as it evolves, is Walter himself, toothsome and rodents of the title is a puppet he wears on his left hand. With Beavers Walter suddenly and almost exclusively, begins to speak in an English accent to his wife worried, Meredith (played by Ms. Foster), his son terrified teenage Porter (Anton Yelchin) and his colleagues start to work. I'm not telling you something you can not find the trailer, and it is part of the problem with Kyle Killen scenario. It is a drama that does not depend solely on one device, a knack for being a puppet of the author, but deprives us of any sense of discovery by specifying the device sense a short film that gives Walter everyone he meets: "The person who handed you this is under the care of a prescription puppet designed to create a psychological distance between himself and the destructive aspects of his personality."

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