Contagion 2011 review - trailer

I saw a bunch of scary movie. But there's nothing like the horror of the sight of plunging his hand into a bowl of nuts at a bar at the airport, and therefore lead to death in the transmission. Here is the fear of shit movie with the medical school on the B virus can cause immediately after the impact of screening a wave of hand washing, which leads to side effects for a refreshing dip in air traffic is long and effect term makes you think you forgot that screwed us all.

With the discovery of new viruses every week (and can spread dramatically in 30 steps from 1000 to 1000 million), which is very good. Made with attention to detail and realistic beset by cold and Steven Soderbergh, the infection begins to cough, and a working mother named Beth (Gwyneth Paltrow). Pitt felt a kind of punk, and return to meet with businessmen in Hong Kong from her husband (Matt Damon) and his young son in Minneapolis. In the House, the house suddenly feels bad, then decays with cramps, fever and cerebral hemorrhage and died. No spoiler, which slows the release: House is the human face to start taking what is a global pandemic. (This is not the last we see Paltrow, or is this an excellent tour, only to return as a significant presence in the memories of the past). The infection spreads his death argument persuasive and treacherous and not home runs early in the epidemiology of such Centers for Disease Control and the World Health Organization, what they are looking for the source of all the new viral mutation and its antidote. If the current increase of international travel is the ability to feel the world is very small, and the downside is that everyone, everywhere, is just coughing, shaking hands or rub the eye infections in the world.

Melancholia 2011 review - trailer

After the press conference for the controversial director Lars von Trier at Cannes 2011, which resulted in granting the director persona non grata, which was sadly rare in the severity of what happened and described. In fact, there are still remnants of this situation, but the quality of the movie makes me think that sometimes one can not remember the interview, while many will remember from the movie. For von Trier, the passage in question (and this was not the first), but still talented.

There is a mention that the director has angered environmental advocates, sacrificing an animal on the set of Manderlay? Must be the same thing happens now in pain, because the film is much larger than indicated.

Regardless of all this, to move: The film is a little masterpiece, as is the former managing director at the time of the Antichrist. Although the productions are very different from plain to see some similarities between them. I'm not just a great Charlotte Gainsbourg, and films of the abuse of classic sound and intense, and very well with the sequences in slow motion at first, not to mention the division into chapters - the mark of the film, Lars von Trier.

Movie Review : Apollo 18 (2011)

Most people seem to be any horror movie "hand-held". "Blair Witch", "paranormal activity". Most people I know say they hate the AD. "However, I love the hell of M," a something new and innovative, offering new to the market panic, because let's be honest, I see the same damn thing over and over tired I mean, for Christ, seven films "Saw" and five "final destination". And it was not enough, each new edition of the classic. No matter how many people the concept, but I see, I hate all unique.

Unlike other films in the "hand held" horror, I stated before, this film is more about a different style to film your own. Because there is "supposed" pictures back in 1974, one. Very friendly, and the frame rate is too slow and easily damaged from the point of view of others, might be interesting in some respects and so on. But there were some parts of the movie is crazy with the white tops and jumping techniques. But once you pass mark of 30 minutes of the movie, they start the pattern of use, and is not used frequently observed.

But the biggest problem I had with the film's story. As you can see, the "Blair Witch", which gave him at least back to the story of what happened. ...... This of course is that I love. You can go through this technology, if you cover something like ghosts or evil spirits. Even if you do not know anything about it, we have an idea of ​​what the main characters face. But if you're in a strange place, like the moon, and you're dealing with strange creatures, it is necessary to explain a little more if they left the public confused. In this case, I had to scratch very hard. This is mainly because I had no idea why they were there, what they did and what the intentions of governments. It was nothing more than speculation, as I said.

Priest (2011) review - trailer

Priest seems to have designs on a couple of spectators who thought irreconcilable young devotees of the vampire genre overserved and older demographic that loves his Christian religious mythology with a healthy side moralized of violence. Each has its greatest hits, and never the twain shall meet with blood. Until now.

Except that, historically, the vampire genre has its roots in the Christian faith. Humans respond to their hobbies of the undead with crosses and holy water, superstitions and lasting (for newspapers) the promise of sunshine. The stakes are ritually driven by the heart. Vampires are not evil because they threaten our lives, but because of its threat to extend indefinitely the Earth - a clear challenge to the law of God and an abomination to those who must die. Based on the hit Korean Hyung-Woo Min manwho and directed by Scott Stewart, the priest offers a world in centuries of war between humans and vampires - a holy war is no different from the Crusades - is over for hosts of kick-ass men (and very radical, at least one woman) of the fabric. As if he could have ended differently.

But what follows - and starts Priest - the kind refracted into something a little more advanced for a time that is much more cynical. These priests heroic fight back with problems, social exclusion and without the use of virtually. Are subjected to menial jobs and years of nightmares. The crosses tattooed on the forehead only aggravate their pariah status. Broodiest of them, known simply as, well, a priest (Paul Bettany), stalks through the limits of the city's cathedral - the wall, a dystopian church and state under the influence of Bishop Orel (a limestone Christopher Plummer) and subjected to prayer wheels and the confession booths equipped with video voice-ID software. His brother (Stephen Moyer), Owen, meanwhile, lives in the desert beyond the city, a barbecue, where the border post-apocalyptic in the opposite direction of life and hope are scarce, but at least the leeches confined to reserves.

Attack the Block (2011) review - trailer

In " Attack the Block," the feature writing and directing the first British comedian Joe Cornish, an alien invasion occurs in a public housing complex in London, and only a group of teenagers seem to realize.

Pulse with a bustling energy, the film works both as a fiction horror sci-adolescent adventure film. The biggest trick is withdrawn from Cornwall opens the film with his players attacking a woman (Jodie Whittaker) and still somehow make them appear as the story unfolds, deserves to be known (and rising brutality never excuse).

Circumstances may force the victim of aggression to join forces with them, and their transition from villain to hero in terms of public sympathy is simply excellent, especially for the leader of the gang, Moses (John Boyega).

Cornish approaching history with either condescension or nostalgia. The film clearly references monster movies of the 80s-era as "The Thing" and "Gremlins" in its visual style, but rather than go to some vague "makes me feel like I'm 12 years old still "feel that is popular with the crowd Comic-Con, Cornish create something that feels fresh, new and now. One of the big laugh lines of the film comes in the middle of a race that one of the boys exclaimed, "This is madness too much to explain in a text"

Source Code (2011) review - trailer

A man wakes up on a train and have no idea how it got there. But the woman sitting opposite him know who he is and beats a conversation. She calls him by name - but not his name. And when he goes into the bathroom to detect faces in the mirror is not hers.

It's exciting to open "source code", a thriller that takes a premise of science fiction and not use it for the sake of flashy effects, but as a gate in the human soul. The story is simple, but the goal to feel about a man trying to identify who committed a mass murder - to prevent an even greater catastrophe.

Five minutes, the film includes everything for us: a commuter train is not really true. Earlier in the day, was destroyed in a terrorist attack. What we are seeing, but it is a kind of echo of memory. In the world of "source" science is able, for a while ', the opportunity to benefit victims of conscience' in order to re-create the last eight minutes of their lives - and collectively, to recreate everything you can do, that the train.

Just that concept in itself has power. One thing is seeing people on a train. But seeing these people and I know you see the last minutes of his life, everything they do makes sense and intensity. Moreover, knowing that what is not even real, it is not time travel, but only the waves of memory, creates a favorable awareness of the simplicity of human desire.

This is the "source code" for him before something happens, even. This is before the box was filled with a good story, a tense action, issues and programs to play great and deep.

The Adjustment Bureau (2011) review

Here we go again. I will be unable to stop myself. "The Adjustment Bureau" is a contradiction of free will and predestination, and there you have the dilemma of a lifetime, is not it? Or will the difference between what you want to do, or the book was already written, and all you can do is turn the pages.

That these issues are raised in a sci-fi thriller with a love story at its core should not be surprising. Sci-Fi offers storytellers the freedom to tinker with realism, and few writers have done with more complexity than Philip K. Dick. The film is written and directed by George Nolfi is based on a Dick story about a legion of "setting" that moves a strange thing and something known here, just to make sure everything goes according to plan. If the plan? Experts are not big on explanations. They are like secret agents of the rising power of your choice.

But the best laid plans of mice and men sometimes go astray. Chance barges, and the interference must be corrected. In "The Adjustment Bureau", Matt Damon plays a congressional candidate, David Morris, who enters the room of one of the men he has every reason to believe that it is empty, and must come from a stands, but Elise Sellas (Emily Blunt). What was she doing there? You do not need to cons-examine a Meet Cute. Above all, these two people who were never to meet that special chemistry which means they are a perfect match romantic. They know what we know, and when their eyes and their lips met, their stories intertwine.

Review : Inception (2010)

Dreaming is life's great solitary adventure. What pleasures and terrors of dream state offers only the experience or not.

But what if other people could literally invade our dreams, that if a technology existed intruders is to create and manipulate life of sleep in order to steal our secret thoughts, or more worryingly, the implementation of ideas the deeper subconscious states and make us think they are ours?

Welcome to the world "Inception," written and directed by Christopher Nolan teacher, a science fiction thriller that is tremendously exciting as disturbing as it sounds. It is a popular entertainment with a KO blow so intense and bewildering worry if it is safe to close their eyes during the night.

Rise of the Planet of the Apes (2011) review

"Rise of the Planet of the Apes" is the correct one. Smart, funny and very nice, and a different model for summer entertaining without offending your intelligence. Skillfully blending the latest technology in an old story elements, is also the origin of the story, which answers the question, which was suspended in the air since 1968: how it was that regulates the monkeys?

That year, starring Charlton Heston, "Planet of the Apes" (based on the novel by Pierre Boulle), postulated a world in which the monkeys were responsible and the people were in cages. The film was popular enough to spawn four follow-ups, and directed by Tim Burton's remake, but this latest project, which reveals how it all started to go wrong for us and good for them, things will take a whole new level different.

Cowboys & Aliens (2011) review

As an exercise in chocolate-in-my-peanut butter mash-ups, the concept of the struggle against foreign Cowboys joined the cars that transform into robots and snakes on the plane or not the best idea lo- bad-is-good kitsch.

"Cowboys & Aliens," an inspired adaptation of Jon Favreau's comic book of the same name, Reese could learn a few things about how you do it right. A return of love for the classic Western and science fiction, rails, this celebration of two of the most admired kind of film does not spare the squandering of their most cherished conventions impartial love and respect. Whether the solitary horseback in a desert, a dusty town or E.T is squishier, scary brother down a giant spaceship, "Cowboys & Aliens" are both natives quite right.

Captain America: The First Avenger (2011) review

Nobody makes a hero more sympathetic than a paltry 98 pounds. If intimidated, orphans and people with asthma - if beaten by shaking in the streets on a regular basis - why, very well. Behind the concave chest beats the heart of a lion.

Meet Steve Rogers (Chris Evans), stick figure, which will eliminate the war-time Nazi hunter sturdy frame "Captain America: The First Avenger:" Last summer, a long line of this film very muscular hero. What distinguishes the cap to his story of humble origins, which belongs neither gods nor hairy hot-dogging test pilots, but a Brooklyn boy who just wants to fight for freedom.

Steve has tried five times to enlist but was rejected each time. Then he called the attention of Dr. Abraham Erskine (Stanley Tucci). Erskine is a sweet German scientist, now working for the Americans, with a new super serum that can turn a weakling like Steve in a super-fast, super strong super-soldier. And that created Captain America. Having been abused by the government to sell war bonds and the star in the film of few words, go to the Cape nasty fight this particular film: Johann Schmidt (Hugo Weaving), a Nazi madman controlling a source of blue is terrifying power of the Norse Gods.